Gerrit Rietveld By Jessica Whittaker At Isnare.com Ezine Articles

When one talks about neoplasticism, the first name that comes to everybody’s mind is that of Gerrit Rieveld. Born on June twenty fourth 1988, he went on to be one of the most influential figures in the world of furniture design. He was born in Utrecht, Netherlands and he worked and lived there all his life. Gerrit learned cabinet making from his own father, a professional cabinet maker. The shop catered to the bourgeois flavor of the local patrons and manufactured quality period pieces of furnishings.

After leaving the family workshop in 1911, he trained as a draftsman for architecture and he finally became an architect in 1919. This move marked an explicit split from the customs of his father’s style. Rietveld's most striking work in architecture is the Schroder House in Utrecht (1924). It correlates intimately with most of his furniture designs. It possesses rigorous geometries and an open-plan layout, expressed with screens and color panels to form a new, modernist and aesthetic design. The house absolutely had no walls.

In 1917, the Red and Blue Chair was designed, but its colors were changed to the recognizable style only in 1918 after he became inclined to the 'De Stijl' movement, of which he became an associate in 1919, the same year in which he became an architect. Nothing has existed like that before. It marked the transition between the natural, curving avant garde approach and the stylish, brusque Art Deco.

The Red & Blue chair is integrated out of a dramatic bond of straight lines for pattern formation. The form is produced with lines by enclosing space, the construction has very simple components and the outstanding colors are an aide memoire of paintings by the master Mondrian. Despite a lack of upholstery, the chair is astonishingly comfortable. The chair is currently displayed in the Los Angeles Museum of Art (LACMA).

Gerrit Rietveld joined in Dutch Modernist Design Movement approximately during the time he produced the Red & Blue chair. The chair is a summary of the sort of the fundamental proposals of this significant art and design society. It promoted straightforward forms and key colors and tried to decrease objects to their vital form.

Like the Red & Blue Chair, the Zig Zag chair was shaped in 1934 as a way to express space. Rietveld wanted to devise a chair from a single section of material. Although it was not practical with wood, the chair gives the notion as of. The Zig Zag chair is made of four rectangular pieces of bionic hardwood, carefully dovetailed, bonded and bolted together that reveals Gerrit’s proficiency in cabinet creation. The chair is a wholesome statement of modernist spaces and expresses the principle of cantilever supports in an obvious form. It is bare, ascetic and reveals straightforwardness in abstraction.

Rietveld’s career continued incessantly until 1943. He was consequently barred from practicing as an architect, due to his denial to join the Nazi-run Kulturkammer. After the conflict, the nation and Rietveld progressively returned to regularity and Rietveld relentlessly pursued his work until he died at an age of 76.

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